The Esthetic Apostle

October 2026

The Version I Couldn’t Return

by

I posted it at 10:00 a.m. from the school library during office hours, a Honey Citrus Mint tea cooling beside my laptop.

The building carried the strange stillness of a campus settled into midmorning. Fluorescent lights hummed overhead. Students drifted through the library without staying long enough to disturb the quiet.

I had been searching for years. Not constantly. Just often enough that the absence never fully disappeared from my mind.

1964 Studebaker.

Hickman.

Ohio.

Two years earlier, I thought I had found it. A Bordeaux Red two-door hardtop sat in an Ohio junkyard with weeds growing through it. I studied the photographs until I could almost believe it was ours. For a while, I thought my search had ended there, in rust and weeds. Then I started looking again.

That morning, I joined a Studebaker Facebook group and revised a post three times before pressing publish. This was supposed to be my dad’s inheritance, I wrote. I’ve spent years trying to find it. It’s been a dream of mine to give it back to him someday.

I attached three photographs. In one, my father stood beside the car as a teenager. In another, my great-grandfather polished the hood. The third was blurry, but there I was as a little girl, sitting barefoot on top of it beside a row of trophies.

Then I waited.

A woman named Kay wrote that a friend of hers might have the car in Arizona. It had come from Ohio. She gave me her number, and I sent her mine.

For three weeks, I tried not to make too much of the message. I had no VIN, no registration, nothing that could prove the car in Arizona was the one my family had lost. I kept returning to Kay’s words anyway: It came from Ohio.

The text arrived at 4:37 one afternoon.

I had just gotten home from work and was laying camera lenses across my office desk, preparing for a photo shoot, when my phone lit up with a number I didn’t recognize.

VIN# 64V 6558 as it is today.

Photographs followed. My hands started shaking before I opened them. It was not excitement exactly, but something heavier. A feeling I recognized from hospitals and waiting rooms, the strange physical awareness that arrives before the mind fully understands why.

I sat down and tapped the screen.

A Bordeaux Red two-door hardtop appeared, its chrome trim reflecting desert sunlight. It was the same shape I had spent my life seeing in family photographs, except now it existed in the present tense.

Then I saw the registration card.

Walter Hickman. My great-grandmother’s handwriting looped across the paper beneath it.

The car existed.

“I’m so pleased to contact a member of Mr. Hickman’s family,” its owner, Keith, wrote.

Before the Studebaker became something I searched for, it belonged to my father. Before that, it belonged to my great-grandfather. My great-grandmother bought it for him for Christmas in 1964, when my father was eight months old. My father grew up beside the car as both it and his grandfather aged.

My great-grandfather kept it in a climate-controlled garage beneath a custom cover and quilt. He polished it more often than he drove it. At car shows across Ohio, Kentucky, and West Virginia, it arrived on a trailer, trophies packed carefully in the trunk. My father helped clean it and learned how to start it. My great-grandfather trusted no one else to handle it.

Even after my great-grandfather fell into a forty-foot metal pit at work and broke his back, he returned to caring for the Studebaker. He spent a year in a full-body cast. When he recovered, he walked with a slight limp. The car remained without a scratch.

My father was the grandson my great-grandfather intended to leave it to.

Then my great-grandfather developed Alzheimer’s disease. After six years, he died. My father told me many times about the morning of the funeral. His own father said not to bring the car. It would be inappropriate, he said. Attention-seeking.

But my father had made my great-grandfather two promises: no tie in the casket, and bring the Studebaker.

So he drove it anyway. He parked where everyone could see it before walking into the funeral home. One last showing.

When he told me that story as a child, I thought it sounded rebellious.

Now it feels more like grief.

After the funeral, my father drove the car to its next home because his father did not know how to start it. My grandparents sold it. The Studebaker disappeared from our family, though my father kept telling its stories.

I do not remember sitting on its hood as a little girl. I have seen the photograph enough times, though, that memory and repetition have begun borrowing from each other. My bare feet against the paint. Trophies lined beside me. My great-grandfather showing me off beside the car the way other families posed children beside horses or heirlooms.

My father inherited stories from his grandfather too. He still laughs when he tells me about jumping into the Ohio River after a fish, though he could not swim. His grandfather had told him not to let go of the rod. That Christmas, the mounted fish waited beneath the tree, and for years it hung in our living room. After my father’s motorcycle accident and traumatic brain injury, he moved it into the garage. Not gone. Just relocated.

Some memories remain startlingly precise. He can describe a road he traveled with his grandfather decades ago, then forget a question he asked five minutes earlier. I wondered what would happen if I could put the Studebaker in front of him again. I told myself I wanted to return his inheritance. I also wanted to see whether it might bring back some part of the man I knew before the accident.

Keith and I continued talking across the distance between Arizona and South Carolina. He had bought the car on eBay years earlier and had it shipped from Cambridge, Ohio. He loved it too. I told him about my great-grandfather, about the car shows, about my father. I told him that if he ever decided to sell, I wanted him to call me.

Weeks later, Keith named a price: twenty thousand dollars.

I did not have twenty thousand dollars myself. My mother and I believed we could find a way to buy it together. I thought about a loan, a credit card, flights to Arizona, the long trip home. I imagined pulling into our driveway and watching my father recognize the car before I even told him it was his.

For about a month, I kept the photographs and my conversations with Keith to myself. I wanted to know the car was real and that bringing it home was possible before I showed my father.

At 11:00 one night, I sat beside him on the couch. The dogs had gathered around him. I handed him my phone.

“There’s no way that’s the car,” he said.

Then he saw the registration. He reached for his glasses and leaned closer.

“That’s Grandpa’s name,” he whispered. “That’s Grandma’s handwriting.”

His voice changed as he studied the photographs. Not louder. Fuller somehow. He named McNeer Motor Company and Ninth Street. He remembered the dashboard, the steering wheel, the smell. For a few minutes, I watched the car give something back to him.

Then he zoomed in on the rear photograph.

“Dual exhaust,” he said quietly.

He looked closer.

“It used to have one.”

He studied another photograph.

“New engine.”

Then, after a pause: “There’s a cigarette burn in the seat.”

I had looked at those photographs for weeks without noticing any of it. He noticed at once. The excitement left gradually, rather than all at once. By the time he handed the phone back, the car in Arizona and the one he had driven from his grandfather’s funeral no longer matched.

“I don’t want it,” he said.

“Why don’t you want it? Do you know how hard I’ve looked for this? What if I want it?”

“I just don’t.” His voice was weak.

“That’s not good enough. How could you not want it? We can afford it. I can give this to you, something you’ve always wanted back.”

“I’ve wanted it back, but it’s not the same. It’s not the same, Lucy. There’s too much different. Papaw wouldn’t want that car. He never drove it. He would’ve never had a cigarette burn in it, never changed it. I don’t want it like it is.”

“But you could have this. We could fix it. You could show it just like he did.”

“Lucy. No. There’s too many miles on it. It’s too expensive for what they’ve done to it.” He looked at me. “I love you more than anything for finding it. You don’t know how much it means to me that you’ve done this. But I don’t want it now. I would love to have it if it was like it was thirty years ago, but it’s not. It’s just not. I have those memories, and I’d rather have that than what they’ve done to the car.”

I had pictured him sitting behind the wheel. I had not imagined that finding the car would end with us arguing over whether to bring it home.

That night, I went to bed and cried. I was angry at my grandparents for selling the car my great-grandfather had meant for him. I was angry at my father too. I had searched for years, spent weeks talking with Keith, and begun figuring out how to pay for a car I could not afford on my own. Now he was telling me that finding it had mattered more to him than owning it again.

For a while, I kept looking at the pictures. I thought about the little girl on the hood and my great-grandfather’s trophies. I thought about my father driving the Studebaker away after the funeral, knowing how to start it when no one else did. The car in Keith’s photographs had traveled far beyond that day. My father could see every sign of the journey.

Keith still keeps the Studebaker in a climate-controlled garage in Arizona. He drives it and shows it. We stayed in touch, and he now has its family history to share: my great-grandfather’s naval service, the car shows, and the grandson who polished the chrome beside him.

My father knows the car is there. He knows it is cared for. I wanted to bring it home, but he had already told me what he wanted to keep: the Studebaker he knew with his grandfather. I could find the car. I could not give him back that one.